mandersmedia music shop

Retailers of music on Vinyl, CD, Cassette and other formats on Discogs

CAS My Classic Album: Sister Sledge on ‘We Are Family’

Sister Sledge join Colleen ‘Cosmo’ Murphy at Kings Place as part of the ‘Venus Unwrapped’ series to discuss their iconic We Are Family album.

We Are Family is one of the most iconic dance albums of all time, its title track is an enduring classic that has resounded at key life moments with people from all backgrounds. Debbie Sledge and Kim Sledge join Classic Album Sundays founder/broadcaster Colleen ‘Cosmo’ Murphy to look back to the creation of the album that also includes hits He’s the ‘Greatest Dancer’, ‘Lost in Music’, and ‘Thinking of You’ and to the greater cultural context of disco and it’s legacy. The session will also feature a vinyl replay of the Chic-produced album immersing fans in some of the most joyous sounds of the Seventies.

Join our monthly Album Club, Classic Album Pub Quiz, Safe & Sound Hi-Fi webinar and receive rewards here.

The post My Classic Album: Sister Sledge on ‘We Are Family’ appeared first on Classic Album Sundays.

from Classic Album Sundays

CAS Behind The Counter UK 2021: Reflex Records, Newcastle (Episode 8 of 12)

This week’s episode features Reflex Records in Newcastle. “I think people got a little bit bored with CDs back in the day and they started to want to look at a piece of art and really play with the artefact that is a record.” Alan Jordan

Behind The Counter is a 12 part video series that tells the stories behind the wonderful world of independent record shops.

Watch: Behind the Counter UK 2021 Roundup including Jumbo Records, Love Vinyl, X Records, Wilderness Record Store & Flashback Records

Presented by Classic Album Sundays and Record Store Day UK in partnership with Bowers & Wilkins.

A new episode will drop every Tuesday in the run up to #RSD21​​ which will share the unique stories from around the UK. Get to know your local shops!


The post Behind The Counter UK 2021: Reflex Records, Newcastle (Episode 8 of 12) appeared first on Classic Album Sundays.

from Classic Album Sundays

I did not want to be somebody who lived off his reputation. I wanted to continue to be part of the…

via The Real Mick Rock

Alex Ross Josquin

Opus One. The New Yorker, June 21, 2021.

from Alex Ross: The Rest Is Noise

Andy Cush The 11 Best Electric Guitars for Any Budget

Let our experts—H.E.R. and the Roots’ “Captain” Kirk Douglas—help you find the perfect axe.

from RSS: Features

Fact Fact Mix 812: DJ SWISHA

via Fact Magazine

Tom Pinnock Lambchop’s Kurt Wagner: “I try not to think a lot about past work”

Kurt Wagner

It’s been a while since Kurt Wagner picked up a guitar and, after such a lengthy period of inactivity, he’s having trouble getting used to it again. To prove his point, he brings his antique Gibson acoustic – “an LG-something” – up from the basement and rests it on his lap. “It’s funny,” he says. “Part of my life was practising and preparing for performance. But when that went away, so did my interaction with this thing.”

A guitar might seem like a step backwards for Wagner, who these days works primarily on his laptop, carving blocks of digital information like a sculptor might do with marble.

“There was a time when I was a typewriter guy,” he explains. “Then when I got a word processor, it really changed how I went about writing. I would move words and phrases around. Getting a laptop changed things because suddenly I was able to do things with music that had only been possible in a studio. I always liked that notion of the power you have as an editor, shaping information you’ve gathered… that’s always been magic for me.”

Lambchop’s new album Showtunes continues Wagner’s ongoing creative negotiations between their country-soul of old and this brave new world. While it is possibly their most technologically advanced yet – a warm, drifting record made on headphones and best experienced that way – it has a lightness of touch that makes it feel more organic than 2016’s FLOTUS and 2019’s This (Is What I Wanted To Tell You). Though the original ideas emerged from the basement of the south Nashville house in which Wagner has lived with his wife for a quarter of a century, most of the work took place in his office room – or out on the porch where the music can mingle with the birds, traffic and trains. “This is where all the magic happens, for sure,” confirms Wagner. “It’s nice to think of the studio experience as more than just being stuck in a little room. It’s a different perspective to watching the little waveforms going up and down.

“I live a quarter of a mile from a major train crossing and they go off all the time,” he adds, while a typically American train horn is heard across our video call. “When I’m talking to
folks in Europe, they really love the train thing. I kinda do too.”

“I was truly intrigued when I heard Showtunes,” says Christof Ellinghaus, founder of City Slang, the label that’s released all of Lambchop’s music in Europe. “On repeated listens, it revealed extraordinary depth and complexity. I think time will show that this album is not just another departure but also a point of arrival. And in the context of his entire body of work, it will prove to be one of his finest moments.”

“Essentially, it was only me on the record – and that was enough,” says Wagner. “But there were things I knew could be enhanced, so that led to what you end up hearing now. I knew this was a sound, even a flavour of writing, that I hadn’t been able to accomplish before. That’s exciting after 30 years of making music.”


The post Lambchop’s Kurt Wagner: “I try not to think a lot about past work” appeared first on UNCUT.

from UNCUT

Stian Vedoy Artist Of The Week: Peploe

Our Artist Of The Week is highly unique! Peploe is a London based alt-pop duo that mixes genres such as EDM, indie rock, pop and neo soul. Their tracks ranges from pretentious grandeur to unromantic, homemade indie.

Lisen to their latest double single “Elephant Of Mine”:

Between the super tight polyrhythmic drums, district layered jazz inspired vocals, running bass lines and hectic arpeggiator synths hovers something really intriguing, nostalgic and new thinking all at the same time. Would we be wrong in classing this as playful, intelligent electro-jazz? Have a listen for your self. We dig it!

Speaking of playful. Check out their music video for “The Novice”:

After that bizarre yet fantastic journey, let’s introduce the duo! They are Swedish Arvid Rongedal and British Gabrielle Thomas. Rongedal grew up playing drums in local bands around Stockholm, singing and exploring different instruments, which lead to a discovery of music production. Thomas has a suburban London background and grew up surrounded by music, with roots resting in gospel and soul. She was writing and singing on a recreational level until 2018, when she decided to work in music professionally. The two met at a music university in London late 2018, and after dating for several months, they decided to write music together.

This duo is for sure one of those rare finds, that you jump into wholeheartedly and never come out again. You listen to all their songs, buy all their merchandise and go to all their shows because you just love their vibe as a whole.

Let’s jump into it together and buy all their music on bandcamp!

See more on Linktree
Follow on Instagram
Follow on Facebook
Follow on Twitter
Follow on Spotify

The post Artist Of The Week: Peploe appeared first on Richer Unsigned.

from Richer Unsigned

Matthew Neale Pearl Jam’s Jeff Ament announces new solo album I Should Be Outside

Pearl Jam bassist Jeff Ament has announced a fourth solo album under his own name, titled I Should Be Outside.

The album is due on August 10 via Monkeywrench, and follows his surprise-released American Death Squad EP last year.

In a statement shared through Pearl Jam’s Ten Club newsletter on Thursday (June 10), Ament went into more detail about how the new record came together – you can read it below.

Last year’s EP, consisting of five short songs, was also composed during lockdown after Pearl Jam’s planned 2020 tour dates were postponed due to the coronavirus.

“In the days following the postponement of our tour, I found it necessary to find an outlet for the energy we had created going into the tour,” Ament said in a statement at the time. “Pivot was the word of March. So, every morning, I retreated to the studio with the goal of writing a song every day, no matter how shite.

“Days of isolating and watching the news of the destruction courtesy the virus (and the ineptitude of our leadership or as named here, the American Death Squad) made for vivid dreams and a helplessness. These were some of the first songs out of the gate. Raw and succinct.”

You can pre-order the vinyl for the first two songs from I Should Be Outside “I Hear Ya” and “Bandwidth” – here.

The post Pearl Jam’s Jeff Ament announces new solo album I Should Be Outside appeared first on UNCUT.

from UNCUT

Create a free website or blog at

Up ↑

%d bloggers like this: