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Posters that were once produced simply as advertisements and promotional pieces for gigs and concerts have become a serious art form and collectible. Gig posters say almost as much about a music scene as the music itself.
Many music scenes and social movements have become synonymous with the poster art that was created around it. The psychedelic licks of the ‘60s conjure the LSD trip imagery, awash with kaleidoscopic colors, the effusive text bearing the names of bands, venues, dates. Then you have the distinctly different aesthetic, but familiar convergence of music and printed matter seen in punk circles of the late ‘70s. Imagery that radiates dissidence, dissatisfaction with cultural norms and the political status quo; punk only really ever needed a few chords, some loud amps, and a pissed off vocalist with an axe to grind. The artwork echoes that. The intricate design skills and rich color palette of the ‘60s was no longer a requirement for creating punk posters. Like DIY-style of the music made by musicians still figuring out how to play, punk posters are striking, often monochromatic, cut+paste, ephemeral, and unsentimental.
Gig posters are a celebration of the music, the band, the fans, and the community that envelops each. Many bands use their collaborations between poster artists across different mediums as an additional creative outlet to the music they create. As the author of Art of Rock and Art of Modern Rock, Paul Grushkin says of poster artist, Leia Bell (and many of her peers), “She is creating art that is the equal to any art being created anywhere in the world in terms of its imagination, interpretation of what’s happening in music. Music is changing. People are taking control of it on their own.”
Music Posters on Discogs
Discogs is seeking to highlight that connection between music releases and the posters that surround those bands, artists, music scenes and movements by including music posters in the Discogs Database. You might have noticed the addition to artist pages on Discogs, now offering several tabs for collectibles that relate to these artists.
By cataloging posters alongside music releases, we’re aiming to offer music fans and collectors a broader range of music collectibles. Music posters also contribute to our ongoing mission to build a complete picture of music history through data. Gig posters can tell us a lot about where and when bands have performed, with what kind of frequency, on what kind of bills, the relationships between artists, as well as reveal stories about iconic venues that hosted these performances.
Music Poster Submission Drive
We’ve made a pretty strong start to cataloging music posters on Posterogs, but we need your help. We’re running a week long submission drive for posters between August 19-25; add your posters to the database, help us fill the gaps in our catalog, and dominate the leaderboard. Whether you’ve got gig posters, album promo posters, inserts, festival posters, handbills or flyers, they’re welcome on Posterogs.
The post How Music Posters Found A Home On Discogs appeared first on Discogs Blog.
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Dan Bond is this week’s Artist Of The Week! This Bedfordshire-based singer/songwriter is influenced by pop and country music, especially John Mayer, Jason Mraz, Brad Paisley, Buddy Holly, yet stands on his own with emotive and relatable words, a powerhouse voice and a road-worn level of musicianship that can only be gained by years of touring. Having performed all over the country, Dan has definitely earned his stripes. Check out our choice cut, the recently released “If It’s Alright” to hear what this talented songsmith is all about!
The post Artist Of The Week: Dan Bond appeared first on Richer Unsigned.
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Vespers
Pomp and splendour are the abiding impressions left by this collection of music, which uses a variety of theatrical effects from its very opening fanfare onwards.
Recommended recording:
Gabrieli Consort & Players/Paul McCreesh
Archiv 477 6147
Madrigals, Book 5
He became more and more daring in his madrigals, giving increasing importance to the words and their meaning which he underscored with daring dissonances.
Recommended recording:
Concerto Italiano/Rinaldo Alessandrini
Naïve OP 30445
Il Combattimento di Tancredi e Clorinda
The first audience of this work – neither quite madrigal nor opera – is said to have been reduced to tears by its expressiveness in depicting the central duel.
Recommended recording:
Rolando Villazón, Patrizia Ciofi; Le Concert d’Astrée/Emmanuelle Haïm
Virgin 363 3502
Il ritorno d’Ulisse in patria
Ulysses returns from the Trojan Wars and must prove himself in a contest to win back his wife Penelope.
Recommended recording:
Christoph Prégardien, Bernarda Fink; Concerto Vocale/René Jacobs
Harmonia Mundi HML 5901427-9
Coronation of Poppea
Monteverdi’s last and greatest opera ends with a sensual duet between the immoral Nero and his mistress Poppea.
Recommended recording:
Sylvia McNair, Anne Sofie von Otter; English Baroque Soloists/John Eliot Gardiner
Archiv 447 0882
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Brahms, Violin Sonatas / C. Schumann, Romance No. 1, A. Ibragimova, C. Tiberghien
(released on August 30, 2019)
Hyperion CDA68200 | 71’06″Both Russian-born violinist Alina Ibragimova and French pianist Cédric Tiberghien have impressed these ears in recital and on disc. Their recording and performing history as a duo goes back a decade, too, including discs devoted to Beethoven and Mozart. This
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Renowned guitarist, multi-platinum-selling singer-songwriter, bandleader and Rock and Roll Hall of Fame inductee Steve Miller has released a new song from his rarities box set, WELCOME TO THE VAULT, out October 11 via Sailor/Capitol/UMe. The song, “Say Wow!,” recorded by Miller in 1973, is making its release debut with WELCOME TO THE VAULT.
The post Steve Miller promotes rarities box set with the debut of a 1973 song appeared first on Goldmine Magazine.
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In the first few weeks of their 2019 “Legacy Of the Beast“ tour of North America, Iron Maiden performed a two-night stand at the Barclays Center in Brooklyn, New York. Here is a review, complete with photos.
The post Iron Maiden keep the irons hot for ‘Legacy Of the Beast’ tour appeared first on Goldmine Magazine.
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The first post-Beatles band to hit the airwaves and come crashing into the mass consciousness of America was The Dave Clark Five, with the song “Glad All Over.” The DC5 deserve more credit for bringing the British Invasion to U.S. shores.
The post An appreciation for The Dave Clark Five appeared first on Goldmine Magazine.
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The first post-Beatles band to hit the airwaves and come crashing into the mass consciousness of America was The Dave Clark Five, with the song “Glad All Over.” The DC5 deserve more credit for bringing the British Invasion to U.S. shores.
The post An appreciation for The Dave Clark Five appeared first on Goldmine Magazine.
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