…Listen to the irresistible low notes rising from Partita 10, the rocking onslaught of Partita 18, or the inclusion of that Bergamasca that Frescobaldi already used, and which is basis for Bach’s Quodlibet, “Kraut und Rüben…” – staggering stuff! I’ve never – pace Ton Koopman – heard it done more attractively. It manages to highlight the genius of Buxtehude and Bach, it delights with the ‘new’

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