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June 19, 2017

The Real Mick Rock Happy Birthday to my very dear friend, Pelle Unger, with whom I…

The Real Mick Rock My “David Bowie by Mick Rock” exhibition has officially launched…

The Real Mick Rock Mick with the legendary Freddie Mercury of Queen

Alex Ross: The Rest Is Noise Péladan and the Rose + Croix

The Magus of Paris. New Yorker, June 26, 2017.

from Alex Ross: The Rest Is Noise
Take a look at what’s in Classical at mandersmedia on Discogs

Songlines World Music News Glastonbury 2017: West Holts Stage artist signings with Songlines

Glastonbury West Holts 2017

The Jacksons, Oumou Sangaré, Toots & the Maytals and Pat Thomas perform on the West Holts stage this weekend 

Heading to Worthy Farm this weekend? Make sure you drop by the Songlines tent next to the West Holts Stage for artist signings and festival fun. We will be hosting post-performance CD and vinyl signings with the majority of the artists, including Pat Thomas, Oumou Sangaré, Thundercat, The Avalanches and The Jacksons. Your handy printable timetable can be downloaded here.

For a full list of set times for the West Holts and all the other stages click here. To find out what we’re up to over the weekend, follow us on @SonglinesMag.

Glastonbury have created a playlist to give you a taster of what to expect at the weekend.

from Songlines World Music News
Take a look at what’s in Folk, World & Country at mandersmedia on Discogs

JazzWax Sonny Rollins & Monk


Tenor saxophonist Sonny Rollins didn’t record much with pianist Thelonious Monk, but what they did record together remains remarkable. It’s a shame they weren’t brought together for more albums, but the timing wasn’t quite right. By the late 1950s both Sonny and Monk were towering leaders in their own right blazing paths on their own sessions. [Album photo above by Prestige founder Bob Weinstock]


For their first pairing, three songs were recorded for Prestige—Let’s Call This, Think of One and Friday the 13th. The first two appeared initially on a Prestige 45 entitled Thelonious Monk Quintet. All three also were released on a 10-inch LP called Thelonious Monk Quintet Blows for LP, Featuring Sonny Rollins. The musicians were Julius Watkins (fhr), Sonny (ts), Monk (p), Percy Heath (b) and Willie Jones (d).


Sonny and Monk’s second session came in October 1954, when they again recorded three tracks—I Want to Be Happy, The Way You Look Tonight and More Than You Know. These songs were added to a Monk 10-inch LP entitled Work! The quartet featured Sonny (ts), Monk (p), Tommy Potter (b) and Art Taylor (d).


Sonny and Monk’s first 12-inch LP together was Monk’s Brilliant Corners, recorded for Riverside in October 1956. The songs they recorded were Ba-lue Bolivar Ba-lues-are, Pannonica, Brilliant Corners and Bemsha Swing. The first three featured Ernie Henry (as), Sonny Rollins (ts), Thelonious Monk (p,celeste), Oscar Pettiford (b) and Max Roach (d). The last featured Clark Terry (tp), Sonny (ts), Monk (p), Paul Chambers (b) and Max Roach (d,tymp).


Their last two collaborative tracks appeared on Sonny Rollins, Vol. 2 (Blue Note), recorded in April 1957. The songs were Monk’s Reflections and Misterioso. The musicians were J.J. Johnson (tb), Sonny (ts), Horace Silver and Monk (p) on different tracks, Paul Chambers (b) and Art Blakey (d).


Of the songs they recorded together, my favorites are The Way You Look Tonight and More Than You Know. On the former, Sonny opens low and then jumps high into the melody, sailing along flawlessly and unspooling a long ribbon of improvisation. Monk comps behind him and then takes his own regal solo. Sonny’s tone is muscular and sand-papery while Monk chisels away at the song. When Sonny returns, he works his way up the song’s chords and quotes what sounds like Whispering Grass (Don’t Tell the Trees). Sonny’s command is terrific, and his lines are breathtaking. Dig what he does on the second half and the outro. Frighteningly great.

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The ballad More Than You Know opens with a Chambers bass solo. Then Sonny plays a bluesy reading of the standard. Here again, Sonny is strong and loaded with seamless improvised ideas. Monk takes a lengthy solo halfway in, which is surprisingly straight-forward, with fascinating chord work. On the rebound, Sonny’s horn is mighty and seductive, especially on the double-timed passages. And dig that final upturned punctuation note by Sonny at the tail end. [Photo above of Sonny Rollins and Thelonious Monk]


Listening to Sonny and Monk together is jazz at its finest—two thick textures, spirited reworkings of the original melodies, and plenty of swing. The art is timeless. [Photo above, from left, drummer Roy Haynes, pianist Thelonious Monk, saxoponist Sonny Rollins and bassist Ahmed Abdul-Malik at New York’s Five Spot]

JazzWax tracks: You’ll find The Way You Look Tonight and More Than You Know on Thelonious Monk and Sonny Rollins here and on Thelonious Monk-Sonny Rollins Complete Recordings here.

They also are on Spotify.

JazzWax clips: Here’s The Way You Look Tonight

And here’s More Than You Know

from JazzWax
Take a look at what’s in Jazz at mandersmedia on Discogs

This day in music On this Day June 19, 1974

The Delinquents a band featuring Mick Jones (later of
The Clash) made their debut at the Students union bar, Queen Elizabeth College, Kensington.

from This day in music
Take a look at what’s for sale at mandersmedia on Discogs

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