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Date

March 1, 2019

Patrick Prince Rock critic Robert Christgau is the guest on the Goldmine Magazine Podcast

The famous rock and roll critic Robert Christgau is the guest on the Goldmine Magazine Podcast to discuss his latest books, “Is It Still Good To Ya?” and “Book Reports.”

The post Rock critic Robert Christgau is the guest on the Goldmine Magazine Podcast appeared first on Goldmine Magazine.

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Help Musicians NI welcomes Over The Hill’s first senior intern

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Goldmine1 Music video premiere of “Sun Never Sets” by Roger Street Friedman

Goldmine premieres a new music video by Roger Street Friedman of the song “Sun Never Sets” featuring Tom Chapin, Peter Yarrow, Joel Rafael and Guy Davis.

The post Music video premiere of “Sun Never Sets” by Roger Street Friedman appeared first on Goldmine Magazine.

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Freya Parr Hans Zimmer commissioned for this year’s BBC Ten Pieces

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A new set of ten pieces has been revealed today for this year’s BBC Ten Pieces programme, under the title of ‘Trailblazers’. Now in its sixth year, the education initiative hopes to inspire children aged 7-14 as a starting point for them to learn about classical music.  

The programme showcases works throughout history that have redefined the world of music, and this year’s list is hugely varied to show the versatility of classical music throughout the centuries. Every year, BBC Ten Pieces has commissioned a contemporary composer to write a new work. Previous commissions have included Anna Clyne, Anna Meredith and Kerry Andrew. This year, film composer Hans Zimmer has written a new orchestral work for the project, entitled Earth.

‘At the heart of my new piece, Earth is the sound of young voices who underlie the music,’ says Zimmer. ‘Set against the backdrop of our magnificent, precious planet, I hope it will be the perfect springboard to inspire creativity in classrooms across the UK.’

 

 

The Ten Pieces Trailblazers:

1) Hans Zimmer: Earth (BBC Ten Pieces commission)

2) George Gershwin Rhapsody in Blue (excerpt)

3) Ravi Shankar Symphony, Finale (excerpt)

4) Delia Derbyshire Doctor Who Theme (original theme composed by Ron Grainger)

5) Antonio Vivaldi 'Winter' from 'The Four Seasons' 

6) Grażyna Bacewicz Overture

7) Steve Reich Music for 18 Musicians (excerpt)

8) Heitor Villa-Lobos Bachianas brasilieras No. 2, Little Train of the Caipira (finale)

9) Florence Price Symphony No. 1 (excerpt)

10) Johannes Brahms Hungarian Dance No. 5

 

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letters@jazzwise.com (Mike Flynn)

Grammy-winning powerhouse group Snarky Puppy are gearing up for a world tour in support of their high-energy new album Immigrance, which is released on 15 March on the Ground Up label. Kicking off their live shows in Japan in April, the band the band will make their debut at London’s iconic Royal Albert Hall on 14 November as part of their run of autumn dates in the UK. Ahead of this the band also headline Love Supreme Jazz Festival on 6 July at Glynde Place, East Sussex.

The new album’s 11 songs return to the hard-driving grooves of earlier records such as Tell Your Friends and We Like It Here, and explore a wide range of sounds and influences. Commenting on the tour, bassist and bandleader Michael League said: “The band is so excited about bringing the songs to the UK on our upcoming tour. Of course we’ll be mixing them in with material from previous albums (including some very old songs we haven’t played in years), but it will be really special sharing the new ones with the audience who first welcomed us to Europe in 2012.”

UK dates are: O2 Academy, Bournemouth (6 Nov); Rock City, Nottingham (7 Nov); O2 Academy, Bristol (8 Nov); O2 Academy, Oxford (9 Nov); Royal Albert Hall, London (14 Nov); O2 Apollo, Manchester (15 Nov); Barrowlands, Glasgow (16 Nov) and Ulster Hall, Belfast (11 Nov).

For more info visit www.snarkypuppy.com

Mike Flynn

Watch the new video for the single ‘Bad Kids At The Back’ here:

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letters@jazzwise.com (Mike Flynn)

Grammy-winning powerhouse group Snarky Puppy are gearing up for a world tour in support of their high-energy new album Immigrance, which is released on 15 March on the Ground Up label. Kicking off their live shows in Japan in April, the band the band will make their debut at London’s iconic Royal Albert Hall on 14 November as part of their run of autumn dates in the UK. Ahead of this the band also headline Love Supreme Jazz Festival on 6 July at Glynde Place, East Sussex.

The new album’s 11 songs return to the hard-driving grooves of earlier records such as Tell Your Friends and We Like It Here, exploring a genre-hopping range of sounds and influences. Commenting on the tour, bassist and bandleader Michael League said: “The band is so excited about bringing the songs to the UK on our upcoming tour. Of course we’ll be mixing them in with material from previous albums (including some very old songs we haven’t played in years), but it will be really special sharing the new ones with the audience who first welcomed us to Europe in 2012.”

UK dates are: O2 Academy, Bournemouth (6 Nov); Rock City, Nottingham (7 Nov); O2 Academy, Bristol (8 Nov); O2 Academy, Oxford (9 Nov); Royal Albert Hall, London (14 Nov); O2 Apollo, Manchester (15 Nov); Barrowlands, Glasgow (16 Nov) and Ulster Hall, Belfast (11 Nov).

For more info visit www.snarkypuppy.com

Mike Flynn

Watch the new video for the single ‘Bad Kids At The Back’ here:

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“You’ll notice that my most famous pictures are very simple. You’re not going to find lot of…

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Dennis Tyfus launches outdoor music pavilion in Antwerp

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Freya Parr A guide to Strauss’s Also sprach Zarathustra

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A swirling bone that transforms into a communication satellite, the docking with the space station, the Earth in shadow against a sliver of the sun and the appearance of the ‘star child’ all remain indelible images from Stanley Kubrick’s epic film 2001: A Space Odyssey.

The choice of music – Ligeti’s Lux Aeterna, Johann Strauss’s Blue Danube, Khachaturian’s Gayaneh and, of course, Richard Strauss’s Also Sprach Zarathustra – is a further masterstroke.

An organ pedal note precedes the most imposing sunrise in orchestral music. Trumpets and pounding timpani announce the dawn motif, culminating in a blazing C major climax for full orchestra. After such an introduction where is there left to go?

Richard Strauss considered it his most important work to date – ‘the most perfect in form, the richest in content and the most individual in character’. However, despite its clever scoring, what follows ultimately fails to satisfy the expectations raised by that dawn sequence. This, Richard Strauss’s homage to Nietzsche, is memorable mostly for its opening. But then, what an opening!

 

 

 

Essential recording:

Berlin Philharmonic Orchestra/Herbert von Karajan

DG 447 4412 

 

 

https://open.spotify.com/embed/album/1kHbPoLRmiAHIDgYRraYU9

 

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