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Date

March 22, 2019

Goldmine1 Record Store Recon visits Atlanta’s Wuxtry Records on the Goldmine Magazine Podcast

Goldmine’s Record Store Recon undercover reviewer Dr. Disc talks to host Patrick Prince about Atlanta’s Wuxtry Records and how the record store makes the grade.

The post Record Store Recon visits Atlanta’s Wuxtry Records on the Goldmine Magazine Podcast appeared first on Goldmine Magazine.

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Goldmine1 Record Store Recon visits Atlanta’s Wuxtry Records on the Goldmine Magazine Podcast

Goldmine’s Record Store Recon undercover reviewer Dr. Disc talks to host Patrick Prince about Atlanta’s Wuxtry Records and how the record store makes the grade.

The post Record Store Recon visits Atlanta’s Wuxtry Records on the Goldmine Magazine Podcast appeared first on Goldmine Magazine.

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Adventures In Sound And Music NoBusiness special hosted by Derek Walmsley

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Astor Piazzolla

Donald Macleod explores the life and music of the bandoneon virtuoso and composer Astor Piazzolla, through five key locations.

All his life he fought against the tide, and in the end, he was the victor. Astor Piazzolla was a rebel with a cause. A virtuoso bandoneon player and a composer, he set out to break tango free from its roots, and make it a music with a future far beyond the dance halls and cafes of 1950s Buenos Aires. Hits like “Libertango” and collaborations with jazz giants like Gary Burton and Gerry Mulligan made his name beyond the tango world, while his classical compositions brought his instrument, the bandoneon critical acclaim in the concert hall. The secrets of musical technique came, he said, from his studies with French pedagogue, Nadia Boulanger and Argentinian composer, Alberto Ginastera but they also came from his teenage experiences in Buenos Aires, the city where had played bandoneon and arranged music for Anibal Troilo’s famous tango band.

Across the week Donald Macleod traces Astor Piazzolla’s life through the places which played an important part in his musical development: New York, Buenos Aires, Paris, Rome and the Uraguayan resort of Punta del Este.

Music featured:
Tanguedia
Tres minutos con la Realidad
Piano sonata No 1, Op 7
Sideral
Requiem para un Malandra
Adios nonino
Concierto para quinteto
Buenos Aires hora cera (Buenos Aires zero hour)
El desbande
Tiernamente
El recodo
Histoire du Tango for flute and guitar
Balada para mi muerte
Sinfonía Buenos Aires, Op 15
Otoño porteño
Two pieces for clarinet and string orchestra
Triunfal
Prepárense
Tangos, El Exilio de Gardel (excerpts from the original soundtrack)
Mumuki
Michelangelo 70
Amelitango
Maria de Buenos Aires (excerpt)
Summit
Close your eyes and listen
3 Movimientos Tanguisticos Portenos
Tristezas de un Doble A
Jeanne y Paul
Resurreccion del Angel
Concerto for bandoneon, string orchestra & percussion
Le Grand Tango
La Camorra II
Five Tango Sensations
Libertango

Presented by Donald Macleod
Produced by Johannah Smith for BBC Wales

For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Astor Piazzolla https://ift.tt/2CxTHxA

And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: https://ift.tt/2vwHS8q

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Stream new album by Amirtha Kidambi’s Elder Ones

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“I like the relationship between myself and the subject. That’s something that I’ve always…

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Office Ambience 422

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The Last Poets release remix album Understand What Dub Is and share single

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Sean Cannon Mort Garson’s ‘Plantasia’ Gets Reissued After Taking Root In Modern Culture

“Buy a mattress and get music made for plants? Huh?!”

That’s a quote from Tim Mahoney, who you’ll meet a little later in this story. But I’d say those words are uttered just about every time someone hears the tale of Mother Earth’s Plantasia, an album with the seemingly-unironic subtitle “warm earth music for plants and the people who love them.”

Released in 1976 by unsung electronic hero Mort Garson — whose work made Bob Moog cry — the story goes that you could only get a copy with the purchase of a Simmons mattress. (If you want all the details about Garson’s career, and you should, Red Bull Music Academy and Vice have you covered. Read those later, because we’re here to talk about warm earth music for plants now.)

It was the kind of album that few people knew about, even fewer people heard, and almost no one owned. Thanks in part to the record’s rarity, its subject matter, Garson’s cult status, and that downright bizarre sales strategy, Plantasia slowly developed an alluring aura.

Over the course of 40 years, the LP went from being a curious piece of music trivia to a sought-after collector’s item. It’s even gone mainstream recently — if being included in an episode of HBO’s stoner anthology High Maintenance counts as “mainstream.”

Up until now, you had to cruise estate sales or hit flea markets to find a copy. That’s about to change, though! Brooklyn label Sacred Bones just announced the first official Plantasia reissue since aunt Linda strapped that mattress to the Rambler and brought it home from Sears. We even have a limited-edition cassette version over at Discogs Exclusives.

You’re probably wondering why it took four decades to be reissued. Or maybe you’re wondering why it’s happening at all. Either way, it’s thanks to Sacred Bones founder Caleb Braaten, whose relationship with Plantasia began around 2002 as an employee of Denver’s Twist & Shout Records. “I think we got a copy in and I just thought it looked really cool,” he remembered during a phone conversation. “I don’t think it was worth anything back then, but for whatever reason I just thought it was interesting. We put it on and thought it was fucking awesome. I’ve been a fan ever since.”

That was a gateway into Garson’s circuitous catalog, which struck a chord. After a decade of continually returning to records like The Unexplained and Black Mass, Braaten decided to express his fanhood in a tangible way. “I had the idea that I wanted to do a Mort Garson reissue campaign,” he said. “So I started looking for people who owned the rights to these.”

That eventually led him to Day Darmet, Garson’s daughter. Darmet was initially intrigued but apprehensive. “She was interested in talking at first,” Braaten clarified. “I think there’s been a lot of interest in Plantasia, but what we’re doing is pretty different from what a lot of people wanted to do. We really wanted to celebrate the music of Mort Garson and not just focus on this one particular album. That was interesting for her.”

When Braaten initiated the entire process over three years ago, Plantasia had become more popular and desirable than prior decades, but it wasn’t until around 2017 that things started to really pop off. “I started to see people wearing the T-shirt,” he remembered. “Every time I would play it on my radio show, people would be like, ‘Plantasia! Plantasia! Plantasia!’ I was like, ‘Wow man, it’s out there!’ And now more than ever; it just was on that episode of High Maintenance.”

Mort Garson - Plantasia statistics

It’s not just anecdotal, either. From 2009 to 2016, the average price of the album in the Discogs Marketplace doubled. While we’re only a quarter through 2019, the average price this year has septupled(!) when compared to 2009. The number of times it was sold over the years has blown up as well. That raises the question, why now? What is it about this moment in time that makes people want to spend $300 on a mattress giveaway?

“I believe it’s two main things,” said Tim Mahoney, whose fascination with Plantasia spurred him and Morgan Evans to plan a documentary (which was just funded via Kickstarter; more proof of a bonafide Plantasiassance). “First it’s technology. I think the Youtube algorithm is the biggest reason why right now it’s a cultural phenomenon on any level.”

After discovering the album in 2005 via torrents, a Youtube rabbit hole brought Mahoney back to Garson’s vegetal work a decade later. It’s a story I’ve heard from several people. That said, the algorithm only introduces someone to the album. No amount of math can force it to resonate with a listener.

The second half of Mahoney’s theory addresses this. “I think right now with the way the world is, there’s something nice and rejuvenating about Plantasia,” he declared, before going a step further. “If I’m gonna be real pretentious, I’m gonna say it’s like Albert Ayler’s thing. Music is the healing force of the universe, right?”

He continued, after a pause, “I do think there’s something in Plantasia about it being a breath of fresh air; especially given how shitty and gross everything is. I think it’s everything that society isn’t right now. It’s aggressively nice. Plantasia is radically nice, and that’s what I’m so into about it.”

Even though Mahoney’s thesis accounts for the album’s relevance in 2019, there’s also the fact that it’s just plain good. “What’s great about Plantasia is that the technological aspect — the electronic part — is only the icing on the cake,” he said. “Compositionally, it’s fucking cool! I would love to hear a small orchestra play it. The music is so much bigger than the paradigm of electronic music.”

The post Mort Garson’s ‘Plantasia’ Gets Reissued After Taking Root In Modern Culture appeared first on Discogs Blog.

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