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July 14, 2021

Casey Deal Episode 213: Fousheé

“Deep End”



The story of how the song “Deep End” came into existence and became a hit is kind of wild. One person who really didn’t see it coming is the person who created it, Fousheé. She’s a singer and songwriter from New Jersey. You might have seen her competing on The Voice in 2018. Soon after that, she got asked to make a pack of vocal samples for the music platform Splice, where users can download samples and include them in their own songs, royalty-free. Coming up, Foushée tells the story of what happened with one of those samples, and how that led to her making “Deep End.” That song has now been streamed over 385 million times. Fousheé became the first Black female artist to hit the Top 10 Alternative Chart in over 30 years.

You can buy or stream “Deep End” here.

Illustration by Carlos Lerma.

footnotes
Itai Shapira, producer
Fousheé’s “Be Kind to Your Ears” sample pack on Splice
Fousheé’s “Deep End” TikTok video
“Deep End Freestyle” by Sleepy Hallow

The post Episode 213: Fousheé appeared first on Song Exploder.

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Happy Birthday to the lovely Bebe Buell!

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Henry Bruce-Jones Rainer Kohlberger & Jung An Tagen curate chaos with Emergence Collapse

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Will Lavin St. Vincent announces Down And Out Downtown, her first-ever livestream concert

St. Vincent

St. Vincent has announced her first-ever livestream concert, Down And Out Downtown – see more details below.

In support of her acclaimed sixth album Daddy’s Home, the singer (real name Annie Clark) will perform songs from the record, as well as new arrangements of hits and deep cuts from her back catalogue, in a special virtual gig.

A synopsis for the show reads: “Down And Out Downtown is a sepia toned tour de force of gritty grooves, hungover glamour and spellbinding musicality. From rollicking full band rave-ups to delicate acoustic interludes, Down And Out Downtown brings the ’70s-inspired sensibilities of Daddy’s Home to life in a celebration of unforgettable songs and peerless musicians.”

The gig will see Clark perform alongside her Down And Out Downtown Band, comprised of Justin Meldal-Johnsen (bass), Jason Falkner (guitar), Rachel Eckroth (keys), Mark Guiliana (drums), and backing vocalists Nayanna Holley, Sy Smith and Neka Hamilton.

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Airing via digital live platform Moment House on August 4 and August 5 (depending on territory), you can find out more information and buy tickets here.

You can see the dates and times for the livestream by territory below:

North & South America

August 4, 6pm PDT

Australia & New Zealand

August 5, 7pm AEST

Asia

August 5, 8pm JST

Europe, UK & Africa

August 5, 6pm BST

The post St. Vincent announces Down And Out Downtown, her first-ever livestream concert appeared first on UNCUT.

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Will Lavin Jethro Tull announce first studio album in 20 years, The Zealot Gene

Jethro Tull

Jethro Tull have announced the release of The Zealot Gene, their first studio album in 20 years.

The new record will mark the prog rock legends’ first release as part of a new record deal with InsideOutMusic/Sony Music.

“After 54 years in the world of music recording, it is with great pleasure that I now sign Jethro Tull to a record company which reminds me, in many ways, of the old Chrysalis label – both as an independent and in its later years in partnership with EMI,” frontman Ian Anderson said of the new signing.

“Here are real music guys with a passion for the best and most creative in rock music. We look forward to a long and fruitful relationship and more releases to come.”

While a release date for the new album has not yet been revealed, The Zealot Gene – which is the band’s first proper studio LP since 1999’s J Tull Dot Com (not counting 2003’s The Jethro Tull Christmas Album) – has been completed, according to a press release.

Jethro Tull
Jethro Tull in 1978. CREDIT: Brian Cooke/Redferns

News of the new album comes after Anderson revealed last year that he is suffering from chronic obstructive pulmonary disease.

Speaking to Dan Rather on his show The Big Interview, the legendary singer and flautist stated that his “days are numbered”.

Anderson believes one of the main factors in contracting the disease was his exposure to smoke machines during live performances with Jethro Tull.

“I’ve spent 50 years of my life onstage amongst those wretched things that I call smoke machines,” he told Dan Rather on The Big Interview. “Today [they] are lightly referred to as ‘hazers’ as if they’re somehow innocent and not damaging to your lungs. I really do believe that’s a very significant part of the problem that I have.”

The current Jethro Tull line-up consists of Anderson, guitarist Joe Parrish-James, drummer Scott Hammond, pianist John O’Hara, and bassist David Goodier. Guitarist Florian Opahle also contributed The Zealot Gene, but is not a part of the core line-up.

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Sam Moore LCD Soundsystem’s James Murphy on working on David Bowie’s Blackstar: “I kind of talked myself out of a job”

James Murphy / David Bowie

LCD Soundsystem‘s James Murphy has reflected on his experience collaborating with the late David Bowie on his final album Blackstar, revealing that it “broke his heart” that he wasn’t able to fully integrate himself into Bowie’s set-up.

Murphy contributed percussion to Bowie’s final studio album, which was released in January 2016, two days before Bowie’s death.

Speaking on the latest episode of the podcast WTF with Marc Maron, Murphy recalled his first encounters with Bowie which led to him being invited to work on Blackstar.

“I made a mix for Bowie, a remix of a song from ‘The Next Day’. It went really great and everybody was really happy, apparently he was quite happy,” Murphy told Maron. “He also came in to record on the Arcade Fire album [Reflektor] I was helping make. We met then, became friendly and exchanged emails.

“I remember being on a trip once and writing him an email, being like: ‘Hey, I’m away right now. But one of these days it’d be great to get together and I’d love to make some music with you.’ This is a big thing for me: I’m like the guy asking someone on a date for the first time, working up the courage. He writes back: ‘Funny you should say that, please come and see me when you’re back and we’ll talk.’ I’m doing backflips and losing my mind, I’m like: ‘I’m gonna make a record with David Bowie!’”

Murphy said that he then hoped that he and Bowie would be able to work on a project together, but found that the late artist was already working on demos for Blackstar.

“He’s like: ‘You feel like you can add something?’ And I’m like: ‘I definitely feel like I can add something.’ So the time comes, I’ve signed all the NDAs – this is for Blackstar – and I go to work. I come in, meet all the players in the band: love ’em, they’re so nice, there’s a really great rapport.

“When I walk in, I see David sitting in his chair and the rest of the band are in the other room playing,” Murphy recalled, before becoming unsure of his place in the studio and comparing it to “walking into a cockpit and all the chairs are full”.

“I didn’t know what I was supposed to do. I was struggling to find my way into this already-moving machine… I’m like: ‘Oh, excuse me while I insert myself… Oh hey guys, have you considered hearing what this fucking guy thinks? Maybe you’ve heard my songs?’

David Bowie
David Bowie (Picture: Press)

“It started dawning on me that maybe what my job was was to be the disturber of the process,” he continued. “The remix I did was so disturbing: it was take this thing and turn it upside down, reverse it and put it out this way – but that’s not what I do with people. I didn’t know [Bowie] at all, but he definitely seems to have a kind of confidence that they weren’t handing out when I was born in 1970.”

Murphy said that while he was “having a good time” working on Blackstar, he eventually told Bowie: “‘Look man, I think I need to take these things to my studio and work on these things myself – that’s the instrument I play’.

“It wasn’t a good fit and it broke my heart,” he added. “I had to leave: I kind of talked myself out of a job. I don’t have that gene, man.”

Last week LCD Soundsystem announced a 10th anniversary reissue of The Long Goodbye: LCD Soundsystem Live At Madison Square Garden.

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Will Lavin Oasis announce release date for Knebworth 1996 documentary

Liam Gallagher Oasis

Oasis much-anticipated Knebworth cinematic documentary, Oasis Knebworth 1996, will arrive in cinemas on September 23 this year.

The new film – which is being released to mark the 25th anniversary of the band’s legendary August 1996 shows – is made up of never-before-seen archive concert and backstage footage from the gigs, with additional interviews with the band and concert organisers.

Set to arrive in cinemas on September 23, tickets for Oasis Knebworth 1996 go on sale on August 10. For more information and to sign up for ticket alerts, you can visit the official Oasis Knebworth 1996 website here.

According to a press release, the Jake Scott-directed film is “a joyful and at times poignant cinematic celebration of one of the most iconic live concert events of the last 25 years, driven entirely by the music, and the fans’ own experiences of that monumental weekend”.

Oasis Knebworth 1996 is produced by Black Dog Films, with both Noel and Liam Gallagher serving as executive producers.

“Knebworth for me was the Woodstock of the ’90s,” Liam said in a statement. “It was all about the music and the people. I can’t remember much about it, but I’ll never forget it. It was Biblical.”

Noel added: “I can’t believe we never played ‘Rock ‘n’ Roll Star’!”

Oasis Knebworth

Oasis played to 250,000 fans across two days in August 1996 at Knebworth Park in Hertfordshire. They set several records with the epic two-dayer, including securing the largest-ever demand for gig attendance in British history with more than two per cent of the population applying for tickets.

Last month, Noel confirmed that the Knebworth gigs will be released as a live album at some point in the future.

Speaking to Matt Wilkinson on his Apple Music Hits show, Noel called Oasis Knebworth 1996 “fucking outrageous”. He said he was impressed with the upcoming documentary film after watching it for the first time, admitting it made him quite emotional.

“Mate, it’s fucking outrageous,” he said. “I did get quite emotional watching it. The sound is fucking great. Liam is at his absolute peak, looked great with great clothes, sounds amazing. And of course being that close to that band, you kind of perceive it differently to everybody else.”

He continued: “But actually standing back and watching it, I was like, ‘Fucking hell, we were fucking unbelievable. We could really, really play.’ And I was like, ‘Is that me playing the guitar?’ Because my guitar playing suffered a bit because now I’m just singing and strumming. I was on fire that fucking night.”

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David James Young David Bowie’s New York City apartment sells for $16 million

David Bowie

The New York City apartment that once belonged to the late David Bowie has sold, after less than a month on the property market.

The Independent (via New York housing site StreetEasy) reports that the Manhattan high-rise sold for $16.8 million (£12,110,280) – approximately four times the cost of what Bowie himself bought it for in the late ’90s.

The apartment was reportedly put on sale by real estate group Corcoran in mid-June, selling officially this past Sunday (July 11).

The apartment was one of several residences that Bowie owned and lived between with his wife, model Iman Abdulmajid, whom he married in 1992. The couple also resided in Bowie’s native London, in Sydney and on a private island in the Grenadines.

Bowie and Iman moved to New York circa 1999, shortly before the birth of their only daughter Lexi.

The selling of the apartment comes just weeks after one of the singer’s original paintings sold at an auction in Canada for $108,120 (£63,115). The collector, Rob Cowley, originally bought the painting for a meagre $5.

Elsewhere, Bowie’s lost 1979 film Just a Gigolo will be released on Blu-Ray for the first time next month.

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Uncut Uncut – September 2021

uncut september 2021 the beatles 292

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The Beatles, Lindsey Buckingham, Big Red Machine, Leon Bridges, Bruce Springsteen, Steve Gunn, Curtis Mayfield, Shannon And The Clams, Mercury Rev, The Sugarcubes, Ripley Johnson, The Beach Boys and The Lovin’ Spoonful all feature in the new Uncut, dated September 2021 and in UK shops from July 15 or available to buy online now. As always, the issue comes with a free CD, this time comprising 15 tracks of the month’s best new music.

THE BEATLES: Is it any wonder that The Beatles nearly named their seventh studio album after a magical invocation? After all, no other word captures the feats of creative alchemy that transpired on Revolver… Fifty-five years on, Uncut has assembled a crack team of Beatles heads – including Johnny Marr, Brian Wilson, Graham Nash, Roger McGuinn, Rickie Lee Jones, Sean Ono Lennon, Dhani Harrison, Steve Cropper, Margo Price and Wayne Coyne – to explore their favourite tracks from this, the Fabs’ finest body of work. Even Paul McCartney is on hand to tell Uncut about the origins of his experimental side.

OUR FREE CD! HEAVY ROTATION: 15 fantastic tracks from the cream of the month’s releases, including songs by Son Volt, Liam Kazar, Nathan Salsburg, Bnny, Shannon And The Clams, Suzie Ungerleider, The Scientists, Villagers and more.

This issue of Uncut is available to buy by clicking here – with FREE delivery to the UK and reduced delivery charges for the rest of the world.

Inside the issue, you’ll find:

LINDSEY BUCKINGHAM: There’s not much that can keep this singer-songwriter down. Not heart surgery, the pandemic or even his exit from Fleetwood Mac. As he resumes his solo career as one of rock’s most discreet musical radicals, Buckingham tells Uncut about false starts, his “crisp and dirty” new songs, the death of Peter Green and the ongoing soap opera around his alma mater. “Who knows, maybe the five of us will end up doing something…”

CURTIS MAYFIELD: He covered a vast amount of ground during the ’60s with The Impressions – but as a solo artist he went into overdrive. Bandmates and family tell Graeme Thomson about the soul superstar’s creative peak in the early ’70s – from pioneering anthems of empowerment to killer live sessions, a blaxploitation soundtrack and beyond…

BIG RED MACHINE: Deep in upstate New York, The National’s Aaron Dessner is masterminding the next phase of Big Red Machine – the musical collective he founded with Bon Iver’s Justin Vernon. Friends and contributors – including Fleet Foxes Robin Pecknold and Anaïs Mitchell– join Laura Barton to discuss community, collaboration and creative “mess”… Reveals Dessner, “We’ve never had a master plan!”

LEON BRIDGES: Blending avowedly ‘retro’ R&B with lo-fi garage grit, Leon Bridges became a Grammy-winning Texan success story. Back home in Fort Worth, he tells Stephen Deusner of the nocturnal LA sessions that birthed his third album Gold-Diggers Sound. “It’s hard to unlock a sexy vibe at 11am,” he reasons.

THE SUGARCUBES: It is 1987 and the Sugarcubes’ extraordinary debut single, “Birthday” is galloping up the charts. As the band put the finishing touches to their breakthrough album Life’s Too Good, Melody Maker’s Chris Roberts learns the Icelandic art of creation, and inspiration from Björk, Einar and their cohorts.

BRUCE SPRINGSTEEN: The Boss’ acclaimed autobiographical show makes an emotional return to Broadway.

MERCURY REV: From their base in the cosmic Catskills, Jonathan Donahue and Grasshopper recall rolling with Alan Vega, deafening Bob Dylan and a ruckus at the Royal Albert Hall.

THE LOVIN’ SPOONFUL: The making of “Summer In The City”.

RIPLEY JOHNSON: Album by album with the eccentric star.

STEVE GUNN: New album Other You is a beguiling and mercurial folk gem.

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In our expansive reviews section, we take a look at new records from Shannon And The Clams, David Crosby, Son Volt, Sault, Nathan Salsburg, Liars, Liam Kazar, and more, and archival releases from The Beach Boys, George Harrison, Aztec Camera, Christine Perfect, Jackie Leven and others. We catch Eliza and Martin Carthy and Black Country, New Road live; among the films, DVDs and TV programmes reviewed are Riders Of Justice, Summer Of Soul and Night Of The Kings; while in books there’s Baxter Dury and Genesis P-Orridge.

Our front section, meanwhile, features Bruce Springsteen, Karen Black, Edward Bell, and Juni Habel, while, at the end of the magazine, Martha Wainwright reveals the records that have soundtracked her life.

You can pick up a copy of Uncut in the usual places, where open. But otherwise, readers all over the world can order a copy from here.

CLICK TO GET THE NEW UNCUT DELIVERED TO YOUR DOOR

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