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Music

Charles T. Downey Briefly Noted: Refined Brahms

Brahms, Violin Sonatas / C. Schumann, Romance No. 1, A. Ibragimova, C. Tiberghien
(released on August 30, 2019)
Hyperion CDA68200 | 71’06″Both Russian-born violinist Alina Ibragimova and French pianist Cédric Tiberghien have impressed these ears in recital and on disc. Their recording and performing history as a duo goes back a decade, too, including discs devoted to Beethoven and Mozart. This

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Goldmine1 Steve Miller promotes rarities box set with the debut of a 1973 song

Renowned guitarist, multi-platinum-selling singer-songwriter, bandleader and Rock and Roll Hall of Fame inductee Steve Miller has released a new song from his rarities box set, WELCOME TO THE VAULT, out October 11 via Sailor/Capitol/UMe. The song, “Say Wow!,” recorded by Miller in 1973, is making its release debut with WELCOME TO THE VAULT.

The post Steve Miller promotes rarities box set with the debut of a 1973 song appeared first on Goldmine Magazine.

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Goldmine1 Iron Maiden keep the irons hot for ‘Legacy Of the Beast’ tour

In the first few weeks of their 2019 “Legacy Of the Beast“ tour of North America, Iron Maiden performed a two-night stand at the Barclays Center in Brooklyn, New York. Here is a review, complete with photos.

The post Iron Maiden keep the irons hot for ‘Legacy Of the Beast’ tour appeared first on Goldmine Magazine.

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Goldmine1 An appreciation for The Dave Clark Five

The first post-Beatles band to hit the airwaves and come crashing into the mass consciousness of America was The Dave Clark Five, with the song “Glad All Over.” The DC5 deserve more credit for bringing the British Invasion to U.S. shores.

The post An appreciation for The Dave Clark Five appeared first on Goldmine Magazine.

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Goldmine1 An appreciation for The Dave Clark Five

The first post-Beatles band to hit the airwaves and come crashing into the mass consciousness of America was The Dave Clark Five, with the song “Glad All Over.” The DC5 deserve more credit for bringing the British Invasion to U.S. shores.

The post An appreciation for The Dave Clark Five appeared first on Goldmine Magazine.

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Happy Birthday to the material girl, Madonna!Madonna – NYC, 1980

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Michael_Beek Six of the best… works by Lili Boulanger

Rating: 
0

Faust et Hélène (1913)

Based on a poem by Eugène Adenis – itself based on Goethe’s Faust – Boulanger crafted a thirty-minute cantata for choir and orchestra, featuring solo parts for mezzo-soprano, tenor and baritone. The work won her the 1913 Prix de Rome, the first time the prize had been awarded to a woman composer. She is said to have written it in just four weeks.

 

Du fond de l’abîme (1914-17)

This ambitious work, based on Psalm 130, was on Boulanger’s writing desk for a long while, largely thanks to the outbreak of war. During the war years, the composer volunteered for the Franco-American Committee; she also became quite ill during this period. The work is arranged for contralto, tenor, chorus, organ and orchestra.

 

 

Vieille Prière Bouddhique (1914-17)

Another work which Boulanger had to find time to return to during the war years was her take on a Buddhist prayer (indeed ‘a daily prayer for the whole universe’). An intensely spiritual work, it remains one of the composer’s greatest accomplishments and sits in quite stark contrast to the more nihilistic Du fond de l’abîme of the same period.

 

La princesse Maleine (1916-18)

The writer Maurice Maeterlinck was no stranger to his works being taken on by composers; the most famous example might be Debussy’s Pelléas et Mélisande. Maeterlinck’s La princesse Maleine, however, was one piece he was quite protective of. The only composer he allowed to take it on was Lili Boulanger. It’s said she identified greatly with Maleine, but progress on the five-act opera was slow and she struggled to complete the work. Only fragments of it remain, which leads most scholars to believe it went unfinished.

 

 

D’un soir triste / D’un matin de printemps (1917-18)

This two-part work was completed just a couple of months before her death in 1918, the first half being the moving portrait D’un soir triste (Of a sad evening). Boulanger originally arranged the piece for cello and piano. The second half, D’un matin de printemps (Of a spring morning), is the sprightlier of the two works that make up this musical diptych, and was originally arranged for flute/violin and piano. Both halves were also arranged for piano trio and orchestra.

 

Pie Jesu (1918)

Her final work, the Pie Jesu is a deeply emotional and personal work that is in many ways her own Requiem. So unwell was she while working on the music, she actually finished it on her deathbed, dictating what was required to her sister. Nadia Boulanger is said to have been so distraught at Lili’s death, she turned her back on her own composing and decided to focus on teaching instead.

 

 

 

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Michael_Beek Six of the best… works by Lili Boulanger

Rating: 
0

Faust et Hélène (1913)

Based on a poem by Eugène Adenis – itself based on Goethe’s Faust – Boulanger crafted a thirty-minute cantata for choir and orchestra, featuring solo parts for mezzo-soprano, tenor and baritone. The work won her the 1913 Prix de Rome, the first time the prize had been awarded to a woman composer. She is said to have written it in just four weeks.

 

Du fond de l’abîme (1914-17)

This ambitious work, based on Psalm 130, was on Boulanger’s writing desk for a long while, largely thanks to the outbreak of war. During the war years, the composer volunteered for the Franco-American Committee; she also became quite ill during this period. The work is arranged for contralto, tenor, chorus, organ and orchestra.

 

 

Vieille Prière Bouddhique (1914-17)

Another work which Boulanger had to find time to return to during the war years was her take on a Buddhist prayer (indeed ‘a daily prayer for the whole universe’). An intensely spiritual work, it remains one of the composer’s greatest accomplishments and sits in quite stark contrast to the more nihilistic Du fond de l’abîme of the same period.

 

La princesse Maleine (1916-18)

The writer Maurice Maeterlinck was no stranger to his works being taken on by composers; the most famous example might be Debussy’s Pelléas et Mélisande. Maeterlinck’s La princesse Maleine, however, was one piece he was quite protective of. The only composer he allowed to take it on was Lili Boulanger. It’s said she identified greatly with Maleine, but progress on the five-act opera was slow and she struggled to complete the work. Only fragments of it remain, which leads most scholars to believe it went unfinished.

 

 

D’un soir triste / D’un matin de printemps (1917-18)

This two-part work was completed just a couple of months before her death in 1918, the first half being the moving portrait D’un soir triste (Of a sad evening). Boulanger originally arranged the piece for cello and piano. The second half, D’un matin de printemps (Of a spring morning), is the sprightlier of the two works that make up this musical diptych, and was originally arranged for flute/violin and piano. Both halves were also arranged for piano trio and orchestra.

 

Pie Jesu (1918)

Her final work, the Pie Jesu is a deeply emotional and personal work that is in many ways her own Requiem. So unwell was she while working on the music, she actually finished it on her deathbed, dictating what was required to her sister. Nadia Boulanger is said to have been so distraught at Lili’s death, she turned her back on her own composing and decided to focus on teaching instead.

 

 

 

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Goldmine1 Woodstock Nation releases limited edition box set

Woodstock Nation releases a limited edition box set in celebration of the 50th Anniversary of Woodstock. The box set features never-before-seen footage of the 40th Anniversary Concert at Bethel Woods on August 15, 2009.

The post Woodstock Nation releases limited edition box set appeared first on Goldmine Magazine.

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