This month’s podcast focuses on Brennan’s desire to collect and the stories behind his autographs. Starting this week, much of Brennan’s autograph collection will be auctioned off.
The post Autograph seeker extraordinaire John Brennan is the guest on Goldmine Magazine Podcast appeared first on Goldmine Magazine.
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Us and Them On Shipless Ocean (CD, vinyl) Mega Dodo Second album time from the Swedish Fruits-and-Dodo duo and, though it’s scarcely “make or break” time, still they have a few questions to answer. Beginning with, how much of their …
The post Reviews: Us and Them, Fab Gear, Phil Manzanera, Burning Britain, Comus, Danny Adler, the Upsetters, Humble Pie, Bob & Marcia appeared first on Goldmine Magazine.
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#morninglistening to #Lehar on @dgclassics w/@Vienna_Phil & @mco_london under Jiggy’s baton.
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#TheMerryWidow: #operetta as #opera, artificially pronounced, gorgeously sung, beautifully played. #JohnEliotGardiner
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This Sunday, the 20th May at 1 pm, Colleen ‘Cosmo’ Murphy hosts the seventh episode of her BBC 6Music ‘Sounds Of A City’ series in which she chooses the album that she feels is timelessly evocative of and has the strongest bond with the featured metropolis. So far she has visited Glasgow, Bristol, Edinburgh, Manchester, Liverpool and Sheffield and on this edition, she journeys over the Irish Sea to the Emerald Isle and Northern Ireland’s capital city: Belfast.
Van Morrison’s 1968 masterpiece Astral Weeks is regarded as one of the most significant albums of all time and has become and integral part of Belfast. Colleen explores the album’s connections with the city with special guests: Stuart Bailie (BBC Ulster and author of Trouble Songs: Music and Conflict in Northern Ireland), Terri Hooley (Ulster’s Godfather of Punk), Tim Wheeler from Ash, singer/songwriter David Kitt and Laura Onkey (Senior Director of NPR Music and author of Blackness and Transatlantic Irish Identity: Celtic Soul Brothers).
Take a journey down Cyprus Avenue and tune in at 1:00pm GMT on Sunday 20th May 2018 on BBC 6 Music. ‘Sounds of a City: Belfast – Van Morrison’s Astral Weeks‘ will be available on demand on BBC iPlayer shortly afterward.
Read more: Album of the Month – Van Morrison ‘Astral Weeks’
Listen: Van Morrison ‘Astral Weeks’ Musical Lead-Up Playlist
Listen: Van Morrison ‘Astral Weeks’ Legacy Playlist
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#morninglistening to the riveting accounts of the #DSCH #pianotrios on @ClavesRecords
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w/@ElGringoLoco19 (#ilyagringolts), #DanielHaefliger & #GollesVonsattel
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This year’s Two Moors Young Musicians Competition took place at the end of April. Festival founder Penny Adie looks back on the quality of this year’s competition.
Most people enter a competition in order to win. The Two Moors Festival’s Young Musicians scheme, open to all enthusiastic players from across the Southwest, isn’t like that.
What makes it stand out from the myriad other competitions up and down the country? It certainly isn’t the meagre £300 prize money awarded to each of the four winners, nor is it the opportunity of a shared recital within the main festival that tempts them to enter. It is because we look for four winners instead of one and because we give a mini masterclass to each candidate. There is also the chocolate bar given as a prize at the end of every audition – which, of course, does it!
None of the above factors were planned when the competition was set up. They just happened. The sweets came first because the inaugural event was held over an Easter weekend and it was felt that each entrant should be given an egg to say well done.
The fact that we have several winners is a great confidence booster when it comes to the audition process. It takes the pressure off that striving-to-be-THE-winner feeling, therefore making the players relax and perform much better than they would within the traditional environment.
The masterclass is perhaps the most interesting as it is gives the panel of four esteemed artists a clear idea of what each player is capable of. The adjudicators may comment on the best place to stand; suggest a more appropriate height of a music stand and make better contact with the accompanist. The best of the lot however, is when the stand is removed altogether and a few bars are tried out without a score. The participants always play much better! Teachers and performers are only too grateful for the help as it’s given in a friendly way with a great deal of humour.
The entry requirements are simple. Candidates must be aged 18 and under, attend school and/or live in the Southwest. The standard is a minimum of Grade 7 ABRSM. There are two rounds: the first sends 20 onto the finals. The adjudicators are free to write anything they like on the mark-sheet as the comments are précised into one document and then distributed. Years ago, our administrator was left with the job of deciphering a very astute and encouraging script that had the addition of the judge’s drawings of sheep.
The standard is phenomenally high with several finalists going on to conservatoire with major scholarships or one of the top universities. Several past winners are now successful professional artists.
The winners in 2018 comprise a pianist, double bass player, soprano and saxophonist. It so happens that this is a random mix but it could happen that all four winners played the same instrument!
The fact that parents are prepared to drive from as far afield as Gloucester, Bournemouth and Truro for no more than twenty minutes audition says it all.
The https://ift.tt/2GfB9BBhttp://www.thetwomoorsfestival.co.uktakes place from 12 to 21 October 2018.
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This week, our free download is the 6th movement, Allegro, of Handel's Concerto a due cori No. 2 in F, performed by the Freiburg Baroque Orchestra. It was awarded four stars for both performance and recording in the May issue of BBC Music Magazine.
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