Opus One. The New Yorker, June 21, 2021.
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Let our experts—H.E.R. and the Roots’ “Captain” Kirk Douglas—help you find the perfect axe.
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It’s been a while since Kurt Wagner picked up a guitar and, after such a lengthy period of inactivity, he’s having trouble getting used to it again. To prove his point, he brings his antique Gibson acoustic – “an LG-something” – up from the basement and rests it on his lap. “It’s funny,” he says. “Part of my life was practising and preparing for performance. But when that went away, so did my interaction with this thing.”
A guitar might seem like a step backwards for Wagner, who these days works primarily on his laptop, carving blocks of digital information like a sculptor might do with marble.
“There was a time when I was a typewriter guy,” he explains. “Then when I got a word processor, it really changed how I went about writing. I would move words and phrases around. Getting a laptop changed things because suddenly I was able to do things with music that had only been possible in a studio. I always liked that notion of the power you have as an editor, shaping information you’ve gathered… that’s always been magic for me.”
Lambchop’s new album Showtunes continues Wagner’s ongoing creative negotiations between their country-soul of old and this brave new world. While it is possibly their most technologically advanced yet – a warm, drifting record made on headphones and best experienced that way – it has a lightness of touch that makes it feel more organic than 2016’s FLOTUS and 2019’s This (Is What I Wanted To Tell You). Though the original ideas emerged from the basement of the south Nashville house in which Wagner has lived with his wife for a quarter of a century, most of the work took place in his office room – or out on the porch where the music can mingle with the birds, traffic and trains. “This is where all the magic happens, for sure,” confirms Wagner. “It’s nice to think of the studio experience as more than just being stuck in a little room. It’s a different perspective to watching the little waveforms going up and down.
“I live a quarter of a mile from a major train crossing and they go off all the time,” he adds, while a typically American train horn is heard across our video call. “When I’m talking to
folks in Europe, they really love the train thing. I kinda do too.”
“I was truly intrigued when I heard Showtunes,” says Christof Ellinghaus, founder of City Slang, the label that’s released all of Lambchop’s music in Europe. “On repeated listens, it revealed extraordinary depth and complexity. I think time will show that this album is not just another departure but also a point of arrival. And in the context of his entire body of work, it will prove to be one of his finest moments.”
“Essentially, it was only me on the record – and that was enough,” says Wagner. “But there were things I knew could be enhanced, so that led to what you end up hearing now. I knew this was a sound, even a flavour of writing, that I hadn’t been able to accomplish before. That’s exciting after 30 years of making music.”
READ THE FULL INTERVIEW IN UNCUT JULY 2021
The post Lambchop’s Kurt Wagner: “I try not to think a lot about past work” appeared first on UNCUT.
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Our Artist Of The Week is highly unique! Peploe is a London based alt-pop duo that mixes genres such as EDM, indie rock, pop and neo soul. Their tracks ranges from pretentious grandeur to unromantic, homemade indie.
Lisen to their latest double single “Elephant Of Mine”:
Between the super tight polyrhythmic drums, district layered jazz inspired vocals, running bass lines and hectic arpeggiator synths hovers something really intriguing, nostalgic and new thinking all at the same time. Would we be wrong in classing this as playful, intelligent electro-jazz? Have a listen for your self. We dig it!
Speaking of playful. Check out their music video for “The Novice”:
After that bizarre yet fantastic journey, let’s introduce the duo! They are Swedish Arvid Rongedal and British Gabrielle Thomas. Rongedal grew up playing drums in local bands around Stockholm, singing and exploring different instruments, which lead to a discovery of music production. Thomas has a suburban London background and grew up surrounded by music, with roots resting in gospel and soul. She was writing and singing on a recreational level until 2018, when she decided to work in music professionally. The two met at a music university in London late 2018, and after dating for several months, they decided to write music together.
This duo is for sure one of those rare finds, that you jump into wholeheartedly and never come out again. You listen to all their songs, buy all their merchandise and go to all their shows because you just love their vibe as a whole.
Let’s jump into it together and buy all their music on bandcamp!
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Pearl Jam bassist Jeff Ament has announced a fourth solo album under his own name, titled I Should Be Outside.
The album is due on August 10 via Monkeywrench, and follows his surprise-released American Death Squad EP last year.
In a statement shared through Pearl Jam’s Ten Club newsletter on Thursday (June 10), Ament went into more detail about how the new record came together – you can read it below.
#10Clubbers: check your inbox for the latest newsletter.#pearljam #jeffament pic.twitter.com/OTVBbQEefi
— Jeff Ament's Army (@JeffAmentsArmy) June 10, 2021
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Last year’s EP, consisting of five short songs, was also composed during lockdown after Pearl Jam’s planned 2020 tour dates were postponed due to the coronavirus.
“In the days following the postponement of our tour, I found it necessary to find an outlet for the energy we had created going into the tour,” Ament said in a statement at the time. “Pivot was the word of March. So, every morning, I retreated to the studio with the goal of writing a song every day, no matter how shite.
“Days of isolating and watching the news of the destruction courtesy the virus (and the ineptitude of our leadership or as named here, the American Death Squad) made for vivid dreams and a helplessness. These were some of the first songs out of the gate. Raw and succinct.”
You can pre-order the vinyl for the first two songs from I Should Be Outside – “I Hear Ya” and “Bandwidth” – here.
The post Pearl Jam’s Jeff Ament announces new solo album I Should Be Outside appeared first on UNCUT.
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The Cure’s Robert Smith has said he thinks the band’s next album will be the last one they do.
Earlier this month, Smith teamed up with Chvrches on a new single called “How Not To Drown“, the second preview from the Scottish trio’s upcoming fourth album, Screen Violence.
Speaking in a new interview alongside Chvrches lead singer Lauren Mayberry, Smith shared a few more details about the long-awaited new album from The Cure.
“The new Cure stuff is very emotional,” Smith told The Sunday Times. “It’s 10 years of life distilled into a couple of hours of intense stuff.”
He then added: “And I can’t think we’ll ever do anything else. I definitely can’t do this again.”
Smith revealed towards the end of 2020 that he had spent the year working on both The Cure’s new album – set to be their first since 2008’s 4:13 Dream – as well as his own solo album.
In a recent interview with Zane Lowe, Smith reaffirmed the two albums, mentioning that one record is notably darker than the other.
Smith also told Lowe that he will have more updates soon. “Probably in about six weeks’ time I’ll be able to say when everything’s coming out and what we’re doing next year and everything…We were doing two albums and one of them’s very, very doom and gloom and the other one isn’t,” he said.
“And they’re both very close to being done. I just have to decide who’s going to mix them. That’s really all I’ve got left to do.”
The post Robert Smith says The Cure’s next album will be their last: “I definitely can’t do this again” appeared first on UNCUT.
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The Killers have shared a preview of their upcoming Bruce Springsteen collaboration and announced the release date for the track.
As previously confirmed, the two acts will team up on a release called “Dustland“, which Springsteen revealed during an appearance on Sirius XM’s E Street Radio. The Vegas band had also previously teased a “killer collab” with a mystery artist.
Now, The Killers have posted a short clip of the collaboration to their social media accounts. “Dustland” appears to be a new version of the band’s 2008 track “A Dustland Fairytale“, which featured on the album Day & Age.
— The Killers (@thekillers) June 11, 2021
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The visuals also reveal that “Dustland” will be released this coming Wednesday (June 16).
The post Hear a preview of the Bruce Springsteen and The Killers collaborative track, “Dustland” appeared first on UNCUT.
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